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Ascension nº 4
Inspired by the 1966 album called Ascension, by John Coltrane.

Afro Blue
Inspired by the song of the same name released in 1959 by Mongo Santamaría, but based on the 2012 version by Robert Glasper and Erykah Badu.

Gonzalo
Inspired by the discography of Gonzalo Rubalcaba, especially his works with Grupo Proyecto.

Jamal nº 1
Ahmad Jamal is one of the most famous jazz pianists of all time. His album, The Awakening, directly inspired this work.

Bluette
Bluette is a composition by Dave Brubeck, renowned jazz pianist.

Coltrane nº 1 - The Saint
The first work in the series 3 for Trane takes as its main reference the canonization of John Coltrane by the African Orthodox Church in 1982; the Saint John Coltrane African Orthodox Church, in California, has existed since 1969.

Coltrane nº 2 - Africa
In 1961, John Coltrane released the album Africa/Brass. This work is my personal impression of this landmark album.

Coltrane nº 3 - The Beginning
In 1966, during a performance at Temple University, Coltrane set his saxophone aside and began beating his chest and chanting—a clear sign of his intense spiritual quest, echoing humankind's origins: primal sound expressed through the body.

New Orleans, 1920
An image of a band that could have been captured in New Orleans around 1920.

PIano Solo
This piece expresses my deep admiration for the piano, its image, and sound, using several of Cecil Taylor's works as references.

Ibéricas
Despite the title, this work is almost entirely about Flamenco, Andalusia, its heat, fire, and the music's intensity.

Formas nº 1
A brief, playful interlude set to the music of Thelonious Monk. Part 1.

Formas nº 2
A brief, playful interlude set to the music of Thelonious Monk. Part 2.

Formas nº 3
A brief, playful interlude set to the music of Thelonious Monk. Part 3.

Duo
A colorful work inspired by the music of Ralph Towner.

Guitarra Española
Volar - Bulería, Paco de Lucia, Tana, Potito. Inspired by master Paco, Flamenco, and the guitar.

Jam
A jam session can be a gathering of highly creative musicians or, alternatively, a collection of chaotic individuals.

Monk nº 1
Circling around Thelonious Monk. Part 1.

Monk nº 2
Circling around Thelonious Monk. Part 2.

Monk nº 3
Circling around Thelonious Monk. Part 3.

Schoenberg nº 1
Inspired by Schoenberg, this work expresses my deep admiration for his String Quartet No. 2 and Chamber Symphony No. 1.

Schoenberg nº 2
The second work about Schoenberg focuses on his String Quartet No. 1.

Double Bass Ensemble
Double Bass Ensemble is essentially a timeline of a double bass solo. Observe how the musician alters their expression and how the instrument changes form, recreating the image as the music unfolds.

Constructo nº 1
Constructo No. 1 is an illustration based on observations from the window of my former apartment. From that vantage point, I could see the surrounding neighborhoods, where small houses were built on hilly terrain. From a distance, these houses appeared as towering walls, stacked one on top of another.

Constructo nº 2
Constructo is an incredible city that defies the rules of perspective and the principles of light and shadow. It is an almost ethereal structure, a city that could not exist in the real world governed by these rules.
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